Rum, Sodomy & The Lash

Rum Sodomy The Lash To absorb Rum Sodomy and the Lash is to be taken on a wild voyage with a cast of downtrodden revolutionaries Despite this notion the epic themes of the Pogues second full length record have been ov

  • Title: Rum, Sodomy & The Lash
  • Author: Jeffrey T. Roesgen
  • ISBN: 9780826429162
  • Page: 328
  • Format: Paperback
  • To absorb Rum, Sodomy, and the Lash is to be taken on a wild voyage with a cast of downtrodden revolutionaries Despite this notion, the epic themes of the Pogues second full length record have been overlooked by both critics and biographers in favor of two things the band s penchant for combining Celtic folk with punk rhythms the sound and the excesses of Shane MacGTo absorb Rum, Sodomy, and the Lash is to be taken on a wild voyage with a cast of downtrodden revolutionaries Despite this notion, the epic themes of the Pogues second full length record have been overlooked by both critics and biographers in favor of two things the band s penchant for combining Celtic folk with punk rhythms the sound and the excesses of Shane MacGowan the creator Instead of reiterating these aspects, this book discusses, in the form of a sea faring narrative, the record s articulation of what it is found to be magnificently trodden Through epic imagery gracing the cover of the album and reverberating throughout the lyrics, Roesgen s book shows that what the Pogues created is far than pub room music created by drunken men wallowing in Irish nostalgia and pining for something subversive.

    Rum Sodomy the Lash The Pogues Rum, Sodomy The Lash Expanded Remastered Aug , s Rum, Sodomy The Lash, their brilliant second LP was produced by Elvis Costello who also brought the Pogues on tour and later married the band s Cait O Riordan on Rolling Stones magazine s Greatest Albums Of All Time. Rum, Sodomy The Lash by Jeffrey T Roesgen Jeffrey Roesgen s exploration of Rum, Sodomy the Lash is divided between a song by song exploration and a fictional narrative about the album s cover art, where our players board and survive the wreck of the Medusa. This Day in Quotes The origins of Rum, sodomy and the Aug , Many books of quotations include a caustic quote attributed to Winston Churchill in which he supposedly called British naval tradition nothing but rum, sodomy, and the lash Sometimes given as rum, buggery and the lash, using the old British slang term buggery to refer to homosexual sex. Rum, Sodomy the Lash The Pogues Songs, Reviews Rum Sodomy the Lash falls just a bit short of being the Pogues best album, but was the first one to prove that they were a great band, and not just a great idea for a band Track Listing The Pogues Rum Sodomy The Lash Releases Discogs Feb , referencing Rum Sodomy The Lash, LP, Album, STLP , STLP This album is a joy from start to finish I was a big fan of the Irish Rovers when I was a little kid the Unicorn Song, to die for and discovering this as an adult almost made me die of happinessIt is a balls out, drunken, two fisted fucker of an album. Rum Sodomy and the Crash Degenerate Trifecta Rum Sodomy and the Crash is a spoofy title on another popular album there is no need to go into Not sure where the connection is, maybe a melodic structure that carried over Never listened to the referred to Pogues lp so can not make that analysis Released on the label Degenerate Trifecta out of Washington State. Rum Sodomy The Lash Expanded by The Pogues on Spotify Rum Sodomy The Lash Expanded , an album by The Pogues on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. The Sick Bed of Cuchulainn by The Pogues YouTube May , The Sick Bed of Cuchulainn by The Pogues Track From Rum, Sodomy, and the Lash The Sick Bed of Cuchulainn by The Pogues Track From Rum, Sodomy, and the Lash Skip navigation Sign in. When and why did Winston Churchill say The traditions of The Oxford Dictionary suggests that Churchill s phrase should be compared with naval phrases dating from the th century Rum, bum and bacca and Ashore, it s wine, women and song, aboard it s

    • ☆ Rum, Sodomy & The Lash || ☆ PDF Read by ☆ Jeffrey T. Roesgen
      328 Jeffrey T. Roesgen
    • thumbnail Title: ☆ Rum, Sodomy & The Lash || ☆ PDF Read by ☆ Jeffrey T. Roesgen
      Posted by:Jeffrey T. Roesgen
      Published :2019-08-21T08:58:41+00:00

    About “Jeffrey T. Roesgen

    • Jeffrey T. Roesgen

      Jeffrey T. Roesgen Is a well-known author, some of his books are a fascination for readers like in the Rum, Sodomy & The Lash book, this is one of the most wanted Jeffrey T. Roesgen author readers around the world.

    718 thoughts on “Rum, Sodomy & The Lash

    • Update :Alas, it's a miss. Two thirds of it is some half-assed fantasy about the events leading up to the tragedy of the Medusa in 1816 with the Pogues all stirred into the story as their phizzogs are photoshopped onto Gericault's masterpiece on the cover - what a yawn. The third that's left is pretty interesting but a third of a very short book to begin with is nought but a tiny spoonful. ***Blimey, who the hell is Jeffrey T Roesgen? For his shoulders bear the heavy weight of writing the defini [...]


    • In its efforts to branch out beyond the routine idol worship of rock criticism, 33 1/3 continues to supply the field with its smartest and most creative expositions on popular music. Taking chances has its fair share of causalities however, one of its most recent being Tiny Mix Tapes writer Jeff Roesgen’s interpretation of The Pogues’ 1985 classic Rum, Sodomy and The Lash. A fictional narrative built around the album’s iconic cover, that of which features the band’s faces superimposed on [...]


    • some interesting analysis and background but half the book is a fever dream of a band of marauding musicians in Napoleonic times, on the Medusa - that part does not work so well.


    • The 33 1/3 series has taken on the classic Pogues album Rum, Sodomy & The Lash by Jeffery T. Roesgen. There have been many different approaches in this series-some that are traditional critical discussions others are more artistic. For example, Joe Pernice wrote a very entertaining novella about The Smith’s album Meat Is Murder. Colin Meloy, of the Decemberists, wrote a compelling personal memoir about The Replacements’ seminal album Let It Be. Roesgen tried to combine the two styles by [...]


    • I am new to the Pogues, so I thought reading a book about their seminal album, "Rum, Sodomy & The Lash" would provide insight to their style, then band itself, the impact of producer Elvis Costello, and the discovery of Irish folk music. The 33 1/3 series is known for great authors diving deep into their favorite albums and providing the reader with that level of insight. Alas, author Jeffrey T. Roesgen loves the Pogues, but obviously loves history a bit more. His 33 1/3 entry will take the [...]


    • This is the fourth 33 1/3 book that I have read. I'm not sure that any other volume will fall perfectly into place like Kim Cooper's In the Aeroplane Over the Sea, but each volume has still had it's moments.Jeffrey Roesgen's exploration of Rum, Sodomy & the Lash is divided between a song-by-song exploration and a fictional narrative about the album's cover art, where our players board and survive the wreck of the Medusa. I enjoy a good sea tale now and then, so didn't mind the Medusa section [...]


    • Not as bad as "Waiting for Kate Bush" by John Mendelssohn, which shares the same failed format; two thirds of the book made up of a nautical narrative set in 1816 featuring the Pogues and many of the characters populating the songs of the classic album, to learn more about which was the reason you bought this book, and the dearth of text about which is the reason why you regret doing so. Gradually more interminable stretches of this narrative are punctuated by a brief sections devoted to each of [...]


    • This book lost me at the beginning, and I had a difficult time finding a point of insertion, mentally. Alas, the story itself took hold, and I was gripped, oddly. Albeit, the fictional accounts garnered much more interest than the actual information on the Pogues, but I felt they both came together fittingly, wrapped up nicely at the end.


    • I liked the idea of incorporating a fictional narrative into the behind-the-scenes information on a particularly great record.But I ended up skipping over it to get the real story of making the record instead. So maybe I didn't, not really


    • I admit, I preferred the fictional narrative to the music criticism (I would absolutely read another, longer novel about anachronistic Pogues by Roesgen, for sure), but the latter isn't bad, just a little pro forma and the former takes up most of this slim volume anyway.


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