Metaphors On Vision

Metaphors On Vision Imagine an eye unruled by man made laws of perspective an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception Ho

  • Title: Metaphors On Vision
  • Author: Stan Brakhage
  • ISBN: 9780317559569
  • Page: 373
  • Format: None
  • Imagine an eye unruled by man made laws of perspective an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception How many colors are there in a field of grass to the crawling baby unaware of Green So begins Stan Brakhage s 1933 2003 classic Metaphors on Vision Originally publi Imagine an eye unruled by man made laws of perspective an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception How many colors are there in a field of grass to the crawling baby unaware of Green So begins Stan Brakhage s 1933 2003 classic Metaphors on Vision Originally published in 1963 by Jonas Mekas as a special issue of Film Culture, and designed by George Maciunas, it stands as the major theoretical statement by one of avant garde cinema s most influential figures, a treatise on mythopoeia and the nature of visual experience written in a style as idiosyncratic as his art Long out of print, the volume is now available in this definitive edition from Anthology Film Archives and Light Industry, featuring Brakhage s complete text in its distinctive original layout, as well as annotations by scholar P Adams Sitney.

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      Published :2019-05-14T07:53:04+00:00

    About “Stan Brakhage

    • Stan Brakhage

      better known as Stan Brakhage, was an American non narrative filmmaker He is considered to be one of the most important figures in 20th century experimental film.Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in camera editing, scratching on film, collage film and the use of multiple exposures Interested in mythology and inspired by music, poetry, and visual phenomena, Brakhage sought to reveal the universal in the particular, exploring themes of birth, mortality, sexuality and innocence.Brakhage s films are often noted for their expressiveness and lyricism.

    410 thoughts on “Metaphors On Vision

    • The new expanded version doesn't seem to have its own profile as of yet. Look for my review of that version in the next issue of Film Comment.


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